Crate Diggers: February 2016

Monday, February 29, 2016

Record Review: "Kind of Blue" By Miles Davis


“Don't play what's there, play what's not there” - Miles Davis


Title: Kind of Blue
Artist: Miles Davis
Release Year: 1959
Genre: Jazz
Status: 4x Platinum (about 4 Million sold)
Number of Tracks: 5 (3 Side One, 2 Side Two)
Record Label: Columbia
Number Album Released: 33rd


What I Think
    I got this album as a gift for my birthday from my grandmother.I had asked for this record because of how highly revered it is. After listening to it i see why it is so highly revered. This is one of Davis’ most iconic albums. My favorite track on this album is “So What” and this was also the first Miles Davis song i have ever listened to. The 1st track on this album is “So What”. Miles Davis’ trumpet playing is complex and at a mid tempo. The band is playing a somewhat simple rhythm and beat at a mid tempo. Besides Davis’ trumpet solo, there is also a saxophone solo. The 2nd song is “Freddie Freeloader”. Miles Davis’ trumpet playing is slow and somewhat simple. The band is playing a somewhat simple rhythm and beat at a slow tempo. There is a piano solo and a saxophone solo along with Davis’ trumpet solo. The 3rd song is “Blue in Green”. Miles Davis’ trumpet playing is slow and somewhat simple. The band is playing a simple rhythm and at a slow tempo. There is a piano solo and saxophone solo along with Davis’ trumpet solo. The 4th song is “All Blues”. Miles Davis’ trumpet playing is slow and somewhat simple. The band is playing a somewhat simple rhythm and beat at a mid tempo. There is a saxophone solo and piano solo along with Davis’ trumpet solo. The 5th song is “Flamenco Sketches”. Miles Davis’ trumpet playing is slow and somewhat simple. The band is playing a simple rhythm at a slow tempo. There is a saxophone solo and a piano solo along with Davis’ trumpet solo.     


Scoring (Out of 8)
  • How well the album did (Diamond 8/8, Platinum 6.4/8, Gold 4.8/8): 6.85/8
  • How well is the playing (Miles Davis): 8/8
  • How well is the band: 8/8
  • How impactful the messages of the songs are: N/A
  • How appealing is the cover: 6/8
  • How creative is the cover: 3/8
  • How relevant is the album after 10+ years since release: 7/8
  • How much did it revolutionize its genre of music: 7/8
  • How creative are the instruments: 6/8
  • How creative are the lyrics: N/A
Total Score: 6.48125/8
Percentage: 81%


My Favorite Songs
  1. So What
  2. All Blues
  3. Blue in Green
  4. Flamenco Sketches
  5. Freddie Freeloader


Videos of Miles Davis performing songs from this album


Comment what you think of this album and if you agree with me or not and stay tuned for my next record review which will be “Live at the Apollo” by James Brown.

Thursday, February 25, 2016

Anniversary of Hon. Elijah Muhammad's Death


“You are not American citizens or members of the white man’s world. The only American citizens are the white people who are originally from Europe. So why fight a losing battle by trying to be recognized as something you are not and never will be. I am not trying to disillusion you but merely telling you the truth” - Hon. Elijah Muhammad

(Hon. Elijah Muhammad)
The Honorable Elijah Muhammad was born as Elijah Poole in Sandersville, Georgia, USA on October 7th, 1897. He had to leave school in the 3rd grade to work in sawmills and brickyards. Poole left his family at 16 years old and went to work in factories. In 1917 Poole married Clara Evans.
(Elijah Muhammad (Left) with his wife Clara Evans (Right))
Poole moved his own family, parents and siblings to Hamtramck, MI. In 1931 Poole attended a speech about Islam and Black empowerment by Wallace D. Fard, leader of the Nation of Islam (NOI). Poole learned from Fard that Blacks were the original Asiatics and had a rich cultural history which was stolen from them in their enslavement by Europeans. Poole then became a follower of Fard. Poole’s last name was then changed first to “Karriem” then to “Muhammad”. Muhammad then assumed leadership of the NOI’s Temple No. 2 in Chicago, IL. Fard turned over leadership of the NOI to Elijah Muhammad in 1934. Muhammad was also named “Minister of Islam”. In the same year the NOI released its 1st newspaper Final Call to Islam. In 1935 Muhammad took control of Temple No. 1. Facing death threats from rival potential leaders, Muhammad and his family moved to Milwaukee, WI where he founded Temple No. 3.
(Muhammad in 1935)
Eventually he moved to Washington D.C. where he founded Temple No. 4. In 1942 Muhammad was arrested due to failure to register for the draft during WWII. Muhammad left D.C. and returned to Chicago, IL. Muhammad was arrested in Chicago, IL and served 4 years in prison for draft dodging. He was released in 1946. During his time in jail, his wife ran the organization. By 1955 the NOI grew to 15 temples in the US.
(Muhammad in 1955)
By 1959 the NOI grew to 50 temples in the US. Muhammad preached his own version of Islam and his teachings appealed to young, economically disadvantaged, African American males from Christian backgrounds.  Muhammad purchased land and businesses to provide housing and employment for young black males. Muhammad was a mentor to many notable civil rights activists such as Malcolm X, Louis Farrakhan and Muhammad Ali.
(Muhammad (Left) with Malcolm X (Right))
In the 1970’s the NOI owned bakeries, barber shops, coffee shops, grocery stores, laundromats, a printing plant, retail stores, numerous real estate holdings, and a fleet of tractor trailers, plus farmland in Michigan, Alabama, and Georgia. By 1974 the NOI established schools in 47 cities throughout the US. In 1972 the NOI had a net worth of $75 million. On January 30th, 1975 Muhammad entered the Mercy Hospital in Chicago IL suffering from a combination of heart disease, diabetes, bronchitis, and asthma.
(Muhammad in 1975)
On February, 25th, 1975 Elijah Muhammad died of congestive heart failure. He was 77 years old.
(Muhammad’s funeral)
Today is the 41st anniversary of his death. Take time to remember this great religious leader today.


Books by Elijah Muhammad
  • Message to the Black Man in America (1965)
  • How to Eat to Live (1967)
  • The Fall of America (1973)
  • Our Saviour has Arrived (1974)


Videos of Elijah Muhammad


Songs Referencing Elijah Muhammad
  • “Enemy” by Ice Cube


  

Wednesday, February 24, 2016

Happy Birthday W.E.B. Du Bois


“To be a poor man is hard, but to be a poor race in a land of dollars is the very bottom of hardships” - W.E.B. Du Bois

(W.E.B. Du Bois)

W.E.B. Du Bois, was born as William Edward Burghardt Du Bois on February 23rd 1868 in Great Barrington, Massachusetts, USA. Du Bois attended Fisk University in Nashville, TN from 1885 to 1888.

(Du Bois as a young man)
From 1888 to 1890 he attended Harvard University.
(Du Bois (1st to the right bottom row) while in Harvard)
In 1892 Du Bois received a fellowship to attend the University of Berlin. In 1895 he became the 1st African American to receive a Ph.D. from Harvard. In 1896 he performed sociological field research in Philadelphia's African American neighborhoods, which formed the foundation for his landmark study, The Philadelphia Negro (1899). In 1897 Du Bois expanded upon his thesis that African Americans should embrace their African heritage while contributing to American society. Also during this year he took a professorship in history and economics at Atlanta University in Georgia. Du Bois received grants from the U.S. government to prepare reports about the African American workforce and culture. In 1900 Du Bois attended the First Pan-African Conference held in London, England.
(Du Bois in 1900)
During the early 1900’s Du Bois opposed many ideas of a fellow leader in the Black community, Booker T. Washington. In 1901, Du Bois wrote a review critical of Washington's book Up from Slavery (1901). In 1903 Du Bois wrote a collection of 14 essays and published them as a book called The Souls of Black Folk. The book's effect on African Americans was comparable to that of Uncle Tom's Cabin (1852). In 1905 Du Bois and several other civil rights activists met in Canada near Niagara Falls. They wrote a declaration of principles opposing the Atlanta Compromise, and incorporated as the Niagara Movement in 1906.
(Du Bois (Middle row, 2nd from the right) at the Niagara Movement)
After multiple violent events against Blacks in 1906 Du Bois urged blacks to withdraw their support from the Republican Party, because Republicans Roosevelt and William Howard Taft did not sufficiently support blacks. In 1909 he wrote a biography of abolitionist John Brown. Also in 1909 Du Bois was the first African American invited by the American Historical Association (AHA) to present a paper at their annual conference. In 1910, at the second National Negro Conference, the attendees created the National Association for the Advancement of Colored People (NAACP).
(The NAACP)
Du Bois suggested using the word colored to involve other colored races to help with the organization. NAACP leaders offered Du Bois the position of Director of Publicity and Research and he accepted. In 1911 he attended the First Universal Races Congress in London, England. In 1915 Du Bois wrote that the scramble for Africa was at the root of World War I. Du Bois led to fight against the release of the movie The Birth of a Nation (1915) because of its racist portrayal of blacks as brutish and lustful. Du Bois traveled to Europe in 1919 to attend the first Pan-African Congress and to interview African American soldiers for a planned book on their experiences in World War I. After returning from Europe, Du Bois was more determined than ever to gain equal rights for African Americans. In 1920, Du Bois published Darkwater: Voices From Within the Veil. Between 1922 and 1924 Du Bois wrote in the NAACP’s magazine, The Crisis, about how Marcus Garvey was the “most dangerous enemy of the Negro race in America and the world”. A rivalry emerged in 1931 between the NAACP and the Communist Party, when the Communists responded quickly and effectively to support the Scottsboro Boys, which were 9 African American youth arrested in 1931 in Alabama for the rape of 2 white women. Du Bois and the NAACP felt that the case would not be beneficial to their cause. In 1934 Du Bois resigned from the NAACP. Du Bois took a trip around the world in 1936, which included visits to Nazi Germany, China and Japan. In 1941 Du Bois opposed the U.S. intervention in World War II, particularly in the Pacific, because he believed that China and Japan were emerging from the clutches of white imperialists. In 1942 the FBI began to compile a file on Du Bois. In 1943 Du Bois was fired from his position at Atlanta University which caused outrage by other scholars. Turning down job offers from Fisk and Howard, Du Bois re joined the NAACP as director of the Department of Special Research.
(Du Bois in 1943)
In 1945, Du Bois attended the final, Pan-African Congress, in Manchester, England. There Du Bois met Kwame Nkrumah, the future 1st president of Ghana who would later invite Du Bois to Africa. During the 1950s, the U.S. government's anti communist McCarthyism campaign targeted Du Bois because of his socialist leanings. In 1950 Du Bois ran for US Senator from New York on the American Labor Party ticket. In 1953 when Joseph Stalin died Du Bois wrote a eulogy of him. In 1958 Du Bois visited China.
(Mao Tse Tung (Left) and Du Bois (Right))
In 1963 Du Bois visited Ghana and met with Kwame Nkrumah.
(Du Bois (Left) and Kwame Nkrumah (Right))
On August 27th 1963 Du Bois died in Accra, Ghana. He was 95 years old.
(Du Bois’ funeral in Ghana)
Today is his 148th birthday and we would all like to say happy birthday and rest in peace W.E.B. Du Bois.


Books by W.E.B. Du Bois
  • The Study of the Negro Problem (1898)
  • The Philadelphia Negro (1899)
  • The Negro in Business (1899)
  • The Souls of Black Folk (1903)
  • The Talented Tenth (1903)
  • Voice of the Negro II (1905)
  • John Brown: A Biography (1909)
  • Efforts for Social Betterment Among Negro Americans (1909)
  • Atlanta University’s Studies of the Negro Problem (1910)
  • The Negro (1915)
  • The Gift of Black Folk (1924)
  • Africa, Its Geography, People and Products (1930)
  • Africa: Its Place in Modern History (1930)
  • Black Reconstruction in America (1935)
  • What the Negro Has Done for the United States and Texas (1936)
  • Black Folk, Then and Now (1939)
  • Color and Democracy: Colonies and Peace (1945)
  • The Encyclopedia of the Negro (1946)
  • The World and Africa (1946)
  • The World and Africa, an Inquiry into the Part Which Africa Has Played in World History (1947)
  • Peace is Dangerous (1951)
  • I Take My Stand for Peace (1951)
  • In Battle for Peace (1952)
  • Africa in Battle Against Colonialism, Racialism, Imperialism (1960)


(P.S. Sorry for the late entry)

Monday, February 22, 2016

Record Review: "Calypso" By Harry Belafonte


“Come, Mister tally man, tally me banana, Daylight come and me wan' go home” - Harry Belafonte


Title: Calypso

Artist: Harry Belafonte

Release Year: 1956
Genre: Calypso
Status: Platinum (about 1 million sold)
Number of Tracks: 11 (5 side one, 6 side two)
Record Label: RCA Victor
Number Album Released: 3rd  


What I Think
I got this album for $2 used at a 2nd hand store. Getting this album for $2 was a steal. This album is one of Belafonte’s most iconic albums. My favorite track on this album is “Day-O”. I first heard that song in the movie Beetlejuice (1988) at the scene where the family is sitting at the table and Betelgeuse makes them all sing this song and I 1st saw that movie when I was 4 and that song still stuck with me. The 1st track on the album is “Day-O”. Belafonte’s singing on this track is strong and his voice doesn’t strain. The backup vocalist’s voices are very strong. The band is good with a simple beat and rhythm with an upbeat tempo. The message is simple with a story of a man working and wanting to go home. The 2nd song is “I Do Adore Her”. Belafonte’s singing is smoother on this track. The backup vocals are also smoother. The band still plays well with a simple rhythm and a guitar solo at a slow tempo. The song is a simple love song about a man adoring a woman and wanting to love her. The 3rd track is “Jamaica Farewell”. Belafonte’s singing is smooth on this track as well. The backup vocalist’s voice is also smooth. The band has a simple rhythm with only a bass and a guitar and again the guitarist has a solo and the track has a slow tempo. The message is of a man that has to leave a girl he likes behind in Kingston, Jamaica. The 4th song is “Will His Love Be Like His Rum?” Belafonte’s singing is more powerful on this track. The backup vocals are also strong. The band again has a simple beat and rhythm and there is a flute solo and is upbeat. The message is about a man going to get married and people are asking if his love will be as good as the rum being served at the wedding. The 5th song is “Dolly Dawn”. Belafonte’s singing is smooth on this track. The backup vocals are also smooth. The band again has a simple beat and rhythm with a flute solo and has an upbeat tempo. The message is about a girl that is going to perform and have everyone cheering for her and impressing everyone. The 6th song is “Star O”. Belafonte’s singing is the same as on “Day O”. The backup vocals are the same as on “Day O”. The band plays the same music as on “Day O”. The message is a continuation of the message in “Day O”. The 7th song is “ The Jack-Ass Song”. Belafonte’s singing is fast and powerful and the same for the backup  vocals. The band plays a simple beat and rhythm lead by a flute solo and is played upbeat. The message is about letting a donkey enjoy itself and for people not to interfere with it. The 8th song is “Hosanna”. Belafonte’s singing is strong and the same for the backup vocals. The band plays a simple beat and rhythm lead by a flute and is upbeat. The message is about if you have a strong foundation that you will last for a while (Using a house as a metaphor). The 9th song is “Come Back Liza”. Belafonte’s singing is smooth on this track and the same for the backup vocals. The band plays a simple beat and rhythm and at a slow tempo. The message is about a man that wants his woman to come back to him to stop his sadness. The 10th song is “Brown Skin Girl”. Belafonte’s singing is smooth. The band plays a simple beat with only a bass and a guitar with a guitar solo and has a slow tempo. The song is about America invading an island and a white sailor having a kid with one of the natives and him telling her to stay on the island and take care of the baby. The 11th song is “Man Smart (Woman Smarter)”. Belafonte’s singing is strong as well as his backup vocals. The band plays a more complex beat and rhythm than on other songs and plays upbeat. The message is about a man telling about how women are smarter than men.         


Scoring (Out of 10)
  • How well the album did (Diamond 10/10, Platinum 8/10, Gold 6/10): 8/10
  • How well is the singing: 7/10
  • How well is the band: 6/10
  • How impactful the messages of the songs are: 5/10:
  • How appealing is the cover: 7/10
  • How creative is the cover: 4/10
  • How relevant is the album after 10+ years since release: 6/10  
  • How much did it revolutionize its genre of music: 7/10
  • How creative are the instruments: 4/10
  • How creative are the lyrics: 4/10
Total Score: 5.8/10
Percentage: 58%
 
My Favorite Songs
  1. Day O
  2. Jamaica Farewell
  3. I Do Adore Her
  4. Brown Skin Girl
  5. Man Smart (Woman Smarter)
  6. Come Back Liza
  7. Star O
  8. Hossana
  9. The Jack-Ass Song
  10. Will His Love Be Like His Rum?
  11. Dolly Dawn


Videos of Harry Belafonte performing songs from this album


Comment what you think of this album and if you agree with me or not and stay tuned for my next record review which will be “Kind of Blue” by Miles Davis.